The Bishop’s Prodigal Daughter is a “traditional” romance story between two unexpecting people who fall in love against all odds in unexpected circumstances.

I must say Ukamaka deserves her flowers in Don’t Answer When They Call Your Name. It’s a beautiful story, though I wish it ended differently.

Dazzling Mirage achieves what few other works of Nigerian literature have accomplished: a thorough examination of the challenges faced by sickle cell patients in Nigeria.

In Homegoing, we journey with the descendants of two sisters as Yaa Gyasi weaves a compelling tale of life in colonial Ghana, the blood-strumming struggle that birthed a nation.

Focusing primarily on the enigmatic figure of Efunsetan and her star-crossed lover, Efunporonye, “Swallow; Efunsetan Aniwura” tells a story of destiny, love, and passion.

One thing I loved about No One Dies Yet, which I commend the author for, is his integration of queer characters.

In The Middle Daughter, we learn that there is fragility and compassion in dealing with people who are consumed by grief, especially the ones who do not know how to carry on life.

Convergence Problems by Wole Talabi was absolutely stunning from start to finish. Every short story could possibly be expanded by 200 or more pages, but nothing was overdone.

I lived in Ghana for four years, and No One Dies Yet took me down memory lane with vivid descriptions of the Makola market and the delightful Twi language.

The Death of Vivek Oji has rich themes. Themes that cut across both generations, ones that cannot be overlooked or even taken away from the story if you wanted to.

The Son of the House is built around strong female characters, women who take center stage while the men do very little and stay in the background.

And Then He Sang a Lullaby raises vital questions about love’s authenticity and confronts hate, impunity, and violence against queer individuals.