Ghostroots is an exciting addition to the growing list of contemporary and speculative fiction in African literature.

Its array of experiences, cultures, realities, inspiration and several distinct attributes are the web that interconnect to constitute the genre of African Literature.

The Malevolent Seven are some of the finest quest bands you’ll ever find in this subgenre of fantasy, with their eccentrics and wit elevating the reading experience.

And So I Roar is an ambitious book with a noble aim: to shine a light on the struggles of young Nigerian girls and the societal issues they face.

The fact The Bell Jar is written from the first person point of view makes the apprehension and pain more relatable to the reader.

I have rambled on here, but to finish. Legacy of Brick & Bone is a masterpiece in character writing, supported by a deep and dark story.

Face Me I Face You is a vision and experience for the ages, and an expose to the local everyday epics that play out in the lives of common people.

First off, what a title!  I believe that there are two types of authors: storytellers and writers. Storytellers make you forget you are holding a book; With them, you live in the book, and every time ...

African Literature reads are inherently thought-provoking, as they reflect the unique experiences of people in the black continent.

Shadowmancer identifies the themes of Sin, Death, and Love for Power (as seen in the character of Demurral).

Harmattan Rain follows the lives of three women: crone, mother, and girl, with the backdrop being the political scene around Ghana’s independence.

The Tainted Cup is a flawless book, a must-read for anyone who loves a good story, regardless of their preferred genre.