Not the biggest climax of an ending, but a very satisfying one. The Prophet of Akhran is written at a quick pace, with even more thrill and action than the last book. All the forces meet finally in an all-deciding clash, with plenty of intra-faction politics. The main antagonists are admittedly laid off with too […]
The authors take their time to involve everyone in the story, and the weaving of events is expertly done, providing readers with a lot of suspense and thrill, even without overwhelming violence.
The story has a rich, rich world that is based on Islamic Mythology. The Daevabad Trilogy by S.A Chakraborty is woven from much the same source; hence, certain comparisons can be made.
It's like the beginnings of a game of chess between two foes in which the game gets bigger than the chessboard, bigger than the players, bigger than the room they're playing in
True quality high fantasy is proving harder to find by the day. Here is one that tells a most wonderful story, all without the cliched tropes that are core to the genre. It is utterly engrossing in its unpredictability.
There's almost as much fun to be had in the gradual discovery of the world of Roshar as there is in the numerable plot twists and thrilling events that permeate the entirety of the 1000-plus pages of this brilliant book.
When we talk about character development in literature, this book is the perfect stereotype. It should be the yardstick through which other character development levels in literature are measured.
Events leading up to the climax are just as engrossing as the climax itself. That the author managed to create such unforgettable characters in just a few pages is a testament to the beauty of this book.
