One thing I loved about No One Dies Yet, which I commend the author for, is his integration of queer characters.
One thing I loved about No One Dies Yet, which I commend the author for, is his integration of queer characters.
In The Middle Daughter, we learn that there is fragility and compassion in dealing with people who are consumed by grief, especially the ones who do not know how to carry on life.
Convergence Problems by Wole Talabi was absolutely stunning from start to finish. Every short story could possibly be expanded by 200 or more pages, but nothing was overdone.
I lived in Ghana for four years, and No One Dies Yet took me down memory lane with vivid descriptions of the Makola market and the delightful Twi language.
The Death of Vivek Oji has rich themes. Themes that cut across both generations, ones that cannot be overlooked or even taken away from the story if you wanted to.
The Son of the House is built around strong female characters, women who take center stage while the men do very little and stay in the background.
And Then He Sang a Lullaby raises vital questions about love's authenticity and confronts hate, impunity, and violence against queer individuals.
Homegoing beautifully explores the life of two half-sisters who never even got the chance to know one another.
The central theme for me is motherhood. Efe's experience shows how nobody can prepare you for what to expect when it comes to being a mother.
I read this because I loved Chika's debut novel and couldn't wait to get into it. For me, this didn't top it, but it was a good read.
The depth in the narrative makes you wish for a smoother life for these characters, showcasing the author's ability to evoke strong emotions
African literature embraces inclusivity, harnessing words as a medium to impart wisdom, preserve truths, and honor ancestral struggles.
